May the Fourth be Luminous

May the Fourth Be With You, this day that everyone, from casual Star Wars fans, to lifetime devotees celebrate the wonder one of the greatest science-fiction franchises.  Reverberations of sadness are felt throughout the force, however.  Today is our first May the Fourth without the woman who portrayed Princess Leia Organa, actress Carrie Fisher.

The character lives on, but so much of what Leia became in our consciousness is due to the actress that embodied her.  A princess of two worlds, a rebel leader, a general, sister, wife, matriarch and Jedi… none can be separated from Ms. Fisher.  There is a palpable sorrow attached to Leia, now, even though I will always celebrate her.  I liken it to the feeling when Christopher Reeve was paralyzed, and, later, when he passed away…

Leia defied conventions.  The layman might mistake her for the stereotypical damsel-in-distress.  Sure there a moments, where she appears to need the rescue.  But how quickly and thoroughly does Ms. Fisher show herself to not only be her male counterparts’ equal, and then go forward to be THE if not one of the most capable people in the ensemble?  Over the course of the films, Leia becomes the central strategist and heart of the Rebellion.

70138746ac66d0914c4b4982f4ac40d6The skeptics will cite, “Slave Leia,” and the metal bikini, the objectification of those scenes. She’s treated as eyecandy, as property to be possessed.  Move forward just a bit… how did that situation end for the slaver?  Throttled by the same woman he underestimated, with the very chains that bound her.  Probably not an intentional feminist moment, but its there.  She’s never again treated as anything less than the determined, capable leader that she is.

I appreciate Ms. Fisher, in real life, just as much as her most famous role.  She was unabashedly straight-forward, sharing struggles with substance abuse and mental illness with surprising candor… surprising for anyone else, that is.  That type of bravery, showing vulnerabilities to the world, was the hallmark of her character.  The BBC shared the following quote, in their obituary: “There’s a part of me that gets surprised when people think I am brave to talk about what I’ve gone through,” she once said. “I was brave to last through it.”

May the Force be with you always, Carrie Fisher.  This May 4th is not the same, and never shall be, again, with your absence.  Many of us take comfort in the words of Master Yoda: ” For my ally is the Force, and a powerful ally it is. Life creates it, makes it grow. Its energy surrounds us and binds us. Luminous beings are we, not this crude matter.”  A truly luminous being, indeed.  Rest well, Princess…


This Feeling Will Get You Hooked; “Guardians Of The Galaxy” Review

DZI: The Voice


Before this past weekend, the Marvel Cinematic Universe consisted of nine feature films and an accompanying television show. For the most part, the properties have been successes, so it is understandable that for the tenth feature, the studio felt confident in using a lesser-known property.

Director James Gunn’s Guardians of the Galaxy takes us on our first foray away from the Earth (no, Fanboy, I’m not counting Asgard, nor alien invaders) and utilizing a wide and varied collection of cosmic Marvel characters from their publication history. And what a ride it is!

The first scenes give you the obligatory set-up and background of Chris Pratt’s Peter Quill/Star Lord. From there, he literally and figuratively takes control of the narrative. His easy, infectious charisma pulls together not only his allies, but also the antagonists and supporting characters, alike. Star Lord is the glue that holds this film together, and you are…

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“Hi-yo, Silver, away!… Never do that again…”: ‘The Lone Ranger’ Review

DZI: The Voice

Johnny Depp as Tonto and Armie Hammer as The Lone Ranger Johnny Depp as Tonto and Armie Hammer as The Lone Ranger

I have a confession to make.  I like Tarzan.  What does that have to do with The Lone Ranger?  Bear with me…  Some of the properties that I grew up on can seem, in retrospect, let’s say, “racially insensitive.”  So, there is more than a bit of consternation on my part when, periodically, Hollywood produces a new take on certain properties and, more specifically, characterizations that were offensive even when they were first presented.

I knew that Disney was producing a new Lone Ranger movie.  I was dubious, but hopeful that this could be an opportunity to introduce the character to a new generation, while avoiding some of the more unfortunate depictions of Tonto, the Native American partner to the Ranger.

Then I started seeing the trailers. Sigh.

But, still, I wanted to like this movie, because, however troubling…

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What’s so funny about my Superman?

“For some reason I can’t explain or understand, and probably never will… everything comes from Superman.”

"everything comes from Superman.”

“everything comes from Superman.”

The quote above (from Infinite Crisis #5, April 2006 by Geoff Johns) encapsulates both the ardent loyalty and the challenge in approaching Superman as a subject, especially when it comes to the cinematic versions.  Superman is THE icon, serving as the template for every comic book hero that succeeds him, as well as the ideal for what is universally recognized as a ‘superheroic’.  I recently wrote a review for Man of Steel at DZI: The Voice (  Check it out; I’ll wait…  So, let me say from the beginning, I think that it’s a damn good movie, and yes, you should go see it!

Just about two years ago, DC Comics’ entire continuity was relaunched with 52 titles, featuring mostly new takes on their established characters.  This included a Superman that was, at once, back to the basics (think late 1930’s/early 1940’s strongman, primarily concerned with social action) and simultaneously grounded in contemporary (think post-911/new millennial crusader) mores and actions.  As such, things have changed/shifted/modified.  For example, this new-52 take on the Justice League was still founded by seven of the world’s greatest heroes, but the seventh roster spot is filled by Cyborg instead of the Martian Manhunter (and yes, there is a post forthcoming that expounds on my feelings about this).

For Superman, the most superficial change is the lack of red underpants as part of his costume.  Yet there are more substantial changes that have come with the new continuity.  His adopted patents, Jonathan and Martha, who had been confirmed as active parts of Clark Kent’s life since 1986, have once again been documented as deceased, prior to his career as Superman.  Likewise, his relationship with Lois Lane, to whom he had been married since 1996, was undone and Lois and Clark have not had the slightest romantic relationship since the relaunch.  The current iteration of Superman in the comics is one who has embarked on journey of self-discovery and through it, fashioned himself into the Man and Hero that best serves the world, just as is reflected in Man of Steel.

Henry Cavill as Superman in Man of Steel

Henry Cavill as Superman in Man of Steel

It’s at this point that I’m obligated to announce: SPOILERS AHEAD, if you haven’t seen Man of Steel

I am fully cognizant of what DC Comics has committed to as a publisher.  It was, to say the least, a risky proposition to relaunch their entire catalogue, including the three titles that were, at the time, the longest running, continuous comics in history.  It makes perfect sense that DC would want all forthcoming depictions to reflect the “now” (sorry Marvelites) in associated media.  It’s no surprise that we’re seeing the New 52 Justice League in the Target commercials.  Even though Man of Steel gives a great explanation to Superman’s updated costume, I’d wager it has more to do with visual continuity than the movie’s storyline.  So, just as in the comics, Superman is initially unsure of his place and prowess, but committed to being the hero.  In this pursuit, Superman seems more proactive and willing to do almost anything to save the Earth. I get it…  Superman will do what he needs to do, depicted in a more “realistic” manner than in previous incarnations.


Got it.


Here’s the Thing:  SUPERMAN DOES NOT KILL.

I think we all can agree that, in many ways, Superman is THE example of the superheroic ideal.  And, in the last few scenes, he’s placed into a difficult, no-win situation: the life of innocents weighed against the life of his enemy.  The pragmatist in me recognizes that in that same situation, we have seen many other heroes make the same choice as depicted in Man of Steel.  At the risk of overstating it, other heroes are not Superman.  A “realistic take” is fine, but one of the inherent appeals to Superman is that he has the capability to rise above and beyond the limits of the masses.  In fact, we fully expect that Superman can and will find a way to conquer the impossible situation.  This thought that he can represent the very best of human character is one that has sustained him for seventy-five years.

I realize that it’s been a decade and some change since What’s so funny about Truth Justice & The American Way? (Action Comics #775, March 2001, by Joe Kelly) was published.  If you haven’t read this particular gem, I can’t encourage you enough to go pick it up.  Therein, Superman is faced with a group of heroes that find his methods outdated.  When it appears that Superman has crossed the line and killed and neutered his opponents, even one of these new, contemporary heroes exclaims, “You c-can’t do this!  You… you’re Superman.  You don’t do this.”   And he’s absolutely correct.

What’s so funny about Truth Justice & The American Way?

What’s so funny about Truth Justice & The American Way?

DC Entertainment, Zack Snyder, David Goyer, Christopher Nolan, and whomever else might be listening: you expect us to suspend our disbelief that a man can fly, why wouldn’t we likewise believe that our hero will not resort to the death of an enemy, regardless of the situation or circumstance?  Of course, I’ll continue watching and supporting this fledgling franchise, but you have to understand that I’ll be doing so rather warily, and with the thought that I’ve finally, very reluctantly arrived at, “sigh, but it’s not really my Superman.”  It is part of what makes me a Tragic Fanboy…


“It’s been a long, long time comin’…”

This is the spot where I’m prompted to say, “This has been a long time in the making,” and, truthfully, it has been…  However, if I’m completely honest (as I hope you’ll soon discover I will be), this very first post on the brand-spankin’ new is the result of at least seven years of procrastination by Yours Truly.  See, way back in the Dark Ages (2006), I first envisioned the concept of Tragic Fanboy, a blog through which I could share my love of Comics, Sci Fi, Movies and the Fandom associated therewith…  and did absolutely nothing with it until now.  I haven’t stopped reading, nor going to movies, etc., and I definitively haven’t stopped having opinions about them.  So, with some not-so-subtle urging from the recipients of those opinions and the good folks at DZI: The Voice giving me the opportunity to write in the last couple of years, here we are… again!

In writing this, it occurs to me that my initial description is still the best: “I’ve been reading comic books a looooonnnnnnggggggg time now. I’ve witnessed some of the very best that the medium can achieve and suffered the worst drivel imaginable. Still, I run to the store every Wednesday and dive in headfirst. I’ve learned that I like to share the experience: the good, the bad and the ugly. It’s made me a TRAGIC FANBOY.”  So, let me thank you from across the Interwebs for entertaining my random thoughts and musings.  I promise to provide them on more than a once-every-seven-year basis going forward.  You may hold me to it!  Thanks, again!